Gerhard Richter

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“Betty,” a small painting from 1977, depicts his young daughter.Credit...Museum Ludwig

“Betty,” a small painting from 1977, depicts his young daughter.Credit...Museum Ludwig

Three paintings from Gerhard Richter’s “Cage” series (2006) at the Met Breuer. The artist’s abstractions, made with the help of a custom squeegee, reconcile skill and randomness.Credit...Charlie Rubin for The New York Times

Three paintings from Gerhard Richter’s “Cage” series (2006) at the Met Breuer. The artist’s abstractions, made with the help of a custom squeegee, reconcile skill and randomness.Credit...Charlie Rubin for The New York Times

Gerhard Richter, “Self-portrait” (1996). The artist uses a dry brush to blur his compositions, which almost always originate from photographs.Credit...Charlie Rubin for The New York Times

Gerhard Richter, “Self-portrait” (1996). The artist uses a dry brush to blur his compositions, which almost always originate from photographs.Credit...Charlie Rubin for The New York Times

“House of Cards (5 Panes),” a new glass sculpture by Mr. Richter, stands amid black and white photographic paintings from the 1960s.Credit...Charlie Rubin for The New York Times

“House of Cards (5 Panes),” a new glass sculpture by Mr. Richter, stands amid black and white photographic paintings from the 1960s.Credit...Charlie Rubin for The New York Times

The “Birkenau” gallery at the Met Breuer includes four paintings at left; four exact inkjet reproductions at right; a mirror work at back; and the source photographs from the death camp, visible in the mirror’s reflection.Credit...Charlie Rubin for The New York Times

The “Birkenau” gallery at the Met Breuer includes four paintings at left; four exact inkjet reproductions at right; a mirror work at back; and the source photographs from the death camp, visible in the mirror’s reflection.Credit...Charlie Rubin for The New York Times

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Betty Betty 1988 102 cm x 72 cm Catalogue Raisonné: 663-5 Oil on canvas